Weaving a Legacy: Ho-Chunk Black Ash Basketry
March 15 – June 29, 2025
Weaving a Legacy: Ho-Chunk Black Ash Basketry presents the historically important and visually compelling tradition of Native basketmaking in Wisconsin, featuring dozens of works by Ho-Chunk makers from the mid-1800s to the present.
The exhibition is organized by the Museum of Wisconsin Art in West Bend, the leading institution dedicated to preserving and presenting the work of the state’s artists.
About the Exhibition
Weaving a Legacy: Ho-Chunk Black Ash Basketry is a groundbreaking exhibition introducing audiences to the historically important and visually compelling tradition of Native basketmaking in Wisconsin. Featuring dozens of works by Ho-Chunk makers from the mid-1800s to the present, the exhibition is curated by Tom Jones, a Ho-Chunk artist and University of Wisconsin–Madison Professor of Photography. In an act of cultural preservation, Jones has collected and studied thousands of Ho-Chunk baskets—piecing together tribal history—for more than a decade.
By the 1820s, Ho-Chunk black ash basket-making had fully emerged in Wisconsin. Design inspiration was borrowed from the Indigenous traditions of hand-woven twill and wool mats, rugs, and panel bags, as well as the later practice of ribbon-work appliqué, which incorporated European trade goods into Ho-Chunk designs. Over the decades, the growth of the tourist industry, especially along Highway 12—one of the earliest east-west routes through the country—helped fuel the demand and proliferation of the baskets. Designs evolved to reflect the specialization of the makers and include more than fifty different functions and shapes including sewing, picnic, hamper, shopper, market, purse, egg, barrel, feather, and funerary urn baskets.
Modern and contemporary works establish Ho-Chunk basketry as an enduring and evolving art rooted in uniqueness and individual expression. This exhibition highlights artists whose works are collected by major American museums like the National Museum of the American Indian and the Metropolitan Museum of Art. Helen Lonetree (1932–2014), for example, developed a highly distinctive, recognizable weaving style of visually striking experimental works covered in curlicues. Ruth Cloud, Leola Rockman, Sarah White Eagle, and Lila Blackdeer are also much-coveted names in museum collections.
More than ever, this exhibition is profoundly important. Recently, the continuation of the Ho-Chunk basketry tradition has come under threat by the proliferation of the invasive emerald ash borer insect, which is rapidly destroying black ash trees across the Upper Midwest. As the only exhibition to ever be devoted to this topic, Weaving a Legacy stands as the voice connecting the past, present, and future.
Sponsored by
Lead Sponsor
Weaving a Legacy: Ho-Chunk Black Ash Basketry is organized by the Museum of Wisconsin Art.
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Paine Members receive free admission to Weaving a Legacy: Ho-Chunk Black Ash Basketry, along with free admission to the mansion and gardens for an entire year. Join now to also enjoy invitations to special events and programs, previews of exhibitions, and more!